From the heartbreaking melodies and endless pulsations of Christopher Cerrone's "Double Happiness" to the microtonal pitch bends of Adrian Knight’s "Family Man" and William de la Motte’s "To Midnight and Back", these pieces are drawn together by the concept of languid movement throughout time and space. 
Program
Double Happiness, Christopher Cerrone
To Midnight and Back, William de la Motte
Laughter Studies 2, Louis D'Heudieres 
Family Man, Adrian Knight
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              Earlier Event: August 31
          Party of One at Oxbow Blending & Bottling
        Later Event: February 17
          party of one at NYU Day of Percussion